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The Walt Disney Family Museum is excited to present the exhibition Leading Ladies and Femmes Fatales: The Art of Marc Davis. On view in the museum’s Theater Gallery from April 30 to November 3, 2014, this exhibition co-curated by the museum’s director of collections and exhibitions, Michael Labrie, and animator, Andreas Deja, spotlights some 70 original pencil animation drawings, conceptual artwork, paintings, cels, and photographs from animator and Imagineer, Marc Davis, (b. 1913). Davis, who was named a Disney Legend in 1989, was assigned and executed some of the most difficult animation for Walt Disney’s leading ladies and femmes fatales from classics such as Peter Pan (1953), Sleeping Beauty (1956), and One Hundred and One Dalmatians (1961). It was Davis’ mastery of the human form and authority on anatomy and movement that brought these iconic female characters to life and made them believable.
Although his work and accomplishments could fill a much larger gallery, selected artworks mainly from Davis’ personal collection, Walt Disney Imagineering, several private collectors, and the Walt Disney Family Foundation’s collection, intend to focus on a part of Davis’ life and career with his mastery of the human form. Leading Ladies and Femmes Fatales highlights Davis’ female characters in film—such as Peter Pan’s Tinker Bell, Sleeping Beauty’s title heroine Aurora, its villain Maleficent, and One Hundred and One Dalmatians’ Cruella de Vil—as well as in live entertainment, his fine art, and through his beloved wife, Alice Davis.
“If you can’t draw it, you can’t animate it,” Marc Davis once told an interviewer. He was proud of his drawing ability and had all the reasons for being so. Basically a self-taught artist, he honed his skills through a lonely childhood, and from his life experience he developed a keen sense of observation, and ultimately became an excellent draftsman. Davis’ gift for dramatic storytelling coupled with his ability to inject humanity, humor, and emotion into his drawings is what made him stand out.
“Marc can do story, he can do character, he can animate, he can design shows for me. All I have to do is tell him what I want and it’s there. He’s my Renaissance Man,” said Walt Disney of Davis.
In 1947, Alice Estes—a promising artist from Long Beach, California—received a scholarship to the prestigious Chouinard Art Institute—a training ground for many Disney artists. With Alice’s goals of becoming an animator crushed because of the male-dominance in the field at that time, Mrs. Chouinard herself assigned Alice to become a costume designer, and gave her the added task of assisting the new animation teacher, Marc Davis. After her graduation, Alice married Davis, eventually working with him at The Walt Disney Studios and becoming one of the first female Imagineers. She designed costumes for a number of Disneyland attractions, including Pirates of the Caribbean and Carousel of Progress—many based on her husband’s whimsical drawings.